Hype

New 'Personal Work' website is launched

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From the age of 7 photographer Tim Wallace of AmbientLife has been obsessed with photography and this week saw the launch of a new website dedicated to Tim's 'personal work'. The site features a cross section of some of the work that Tim has shot purely for himself over the last few years on his travels and through his love of photography. At a very early age he first learned to print and develop film, totally inspired by the magic of watching the emerging image appear from under that warm flowing liquid of the developer. His dedication to his craft and his love of photography has taken him on a journey through both his work and his own personal view of the world through his lens.




The Dedicated 'Personal Work' website Can be viewed here



Tim - "For me photography has not so much been a career but an obsession over my lifetime, its the foundation of who I am and all that has driven me over the many years that I have been shooting. It is no secret to many that I still love to shoot film even now and for me that is a joy that I can immerse myself into away from my normal day to day commercial work which is firmly grounded within the modern digital era that we can now enjoy. My Personal shooting is not only restricted to film but also I shoot a lot of work these days using my Fuji XPro1, favouring the 14mm f2.8 lens and most recently the new 10mm - 24mm that I find very versatile for the type of work that I like to capture.
This sort of photography for me is almost like getting back to basics, its about the process of thought through to capture to achieve what you want to create through your lens and record that image in the camera as you see it through our own emotions.





I have kept every single camera that I ever shot on from a film perspective over the years, each has their little quirks and joys, each has in many ways a personality and as such they bring their own dimension to a photograph, the lens properties of older camera's are different to the more perfectly engineered lenses that we enjoy today but in many ways thats something that I really love. The older 50mm f4 Carl Zeiss lens that I shoot with sometimes on the Hasselblad film bodies is a lens that has a softness to its edges, a pleasing effect when used wide open."



"I can still remember my very first picture that I ever took, it was a scene from a roof top looking across to a dockyard across the roof tops and aerials of the houses in front of me. I shot it on a Nikon F that belonged to my grand father and was not too sure on the exposure so when I developed the film I decided to heat that up slightly and extend the development time. I remember the negative being very 'thin' (under exposed) and the grain was significant but I spent an few hours in the darkroom printing various copies at different sizes and variants and from then on I was hooked totally. I was in love with the fact that I was able to capture the world, or at leads a brief moment of it and keep that forever. Many times when I was younger I was shooting on Nikons and even today I still use Nikon camera's in my commercial work such as the D4 along side my Hasselblad H4 for medium format digital work, back then my trusty Nikon F was without a light meter that worked so I used to have to guess the exposure on many occasions, this taught me to appreciate the changes in light and how that impacts not only on a scene from an exposure point of view but also how that mixture of exposure and light intensity from the direction of the light in relation to the camera can impact so greatly on the contrast and tonality of a image captured.
It was not long before I was really trying to teach myself who i could mix the light properties in the everyday world with techniques I was discovering with the development stage of the film process. The possibilities seemed endless and it was then i think that I started to gain an understanding of light and how we can use this to create the images that we aim for in our minds when shooting"








"Photography for me a journey rather than a destination and my love of film affair with film will carry on for the rest of my life along with my passion for some of the iconic camera's that act act as the gateways between that we see in front of us and what we capture with the light through our lens. For many years my personal statement towards photography has always been that 'out there shooting is where things happen', and this will always be how I view my life, my future, the world, and how I can represent my view of that world through my lens"